Seattle-born actress Constance Cummings, a Hollywood star of the early 1930s who then became one of the leading figures on the British stage...
LONDON — Seattle-born actress Constance Cummings, a Hollywood star of the early 1930s who then became one of the leading figures on the British stage, has died. She was 95.
Ms. Cummings died Nov. 23, according to obituaries published in London. The cause of death was not announced.
Ms. Cummings was only in her early 20s when she became a leading actress in Hollywood, where her intelligence and charming manner made her a favorite.
In just two years, she made more than a dozen films, working for such top directors as Howard Hawks in the 1931 prison drama “The Criminal Code” and Frank Capra in his 1932 Depression drama “American Madness.”
Most Read Local Stories
- Coronavirus daily news updates, April 21: What to know today about COVID-19 in the Seattle area, Washington state and the world
- COVID vaccine demand softens in some parts of Washington state as variants, cases rise
- Here comes the rain after Seattle area sets weather record
- Seattle Children's knew for years security was called disproportionately on Black patients
- Washington House approves new tax on capital gains as fight brews over a referendum
She also was in the 1932 Harold Lloyd comedy “Movie Crazy” and “Broadway Through a Keyhole,” a 1933 nightclub drama that was co-written by columnist Walter Winchell.
While in Hollywood, she met her future husband, British playwright Benn Levy.
They married in 1933, and it was under his guidance that she developed into a fine stage actress, initially in comic roles in her husband’s plays and adaptations, then in more serious portrayals, including “Long Day’s Journey Into Night” opposite Laurence Olivier.
In 1938, she played Katherine, the woman who wins the schoolmaster’s heart in “Goodbye Mr. Chips,” and the critic James Agate wrote that she had “some of the fragrance and pathos, sensitiveness and radiance of the great actresses of our youth.”
Ms. Cummings later won plaudits for her portrayals of Miss Richland in Oliver Goldsmith’s “Good-Natured Man” and the lead in George Bernard Shaw’s “Saint Joan.” She also impressed with her portrayal of Juliet in Shakespeare’s timeless tragedy.
By the 1960s, she was tackling darker roles, including the cruel lesbian Inez in Jean-Paul Sartre’s “Huis Clos (No Exit)” (she admitted: “I found bits of that woman in myself”); a combative alcoholic in Edward Albee’s “Who’s Afraid of Virginia Woolf”; and Gertrud in Shakespeare’s “Hamlet.”
For three years she worked under Olivier at the National Theatre in London, winning plaudits for her Mary Tyrone in Michael Blakemore’s acclaimed production of Eugene O’Neill’s “Long Day’s Journey Into Night” in 1971.
Notable later roles included Ranevksy in Blakemore’s revival of Chekhov’s “The Cherry Orchard” and Agave in Wole Soyinka’s version of “The Bacchae.”
Her other film roles included David Lean’s “Blithe Spirit” with Rex Harrison in 1945.
Ms. Cummings was made a Commander of the Order of the British Empire, or CBE, in 1974.
Her husband died in 1973, and she is survived by a son and a daughter.