“It makes me feel like I can soar higher,” said junior Kerry Clark, of Tukwila’s Foster High School, who was one of 2,800 students at the Paramount who performed their own work and saw a matinee of the critically acclaimed play.
Toward the end of the first act of “Hamilton,” characters sing the line, “Immigrants, we get the job done.”
It’s common for audiences watching the critically acclaimed musical to react to the “Yorktown” lyric, but for this audience, it seemed to carry more weight for the crowd. Inside the Paramount Theatre Thursday afternoon, 2,800 high-school students roared.
Many of the audience members were children of immigrants or immigrants themselves, like the titular Alexander Hamilton, who was born in the West Indies and became one of America’s Founding Fathers. “Hamilton: An American Musical” is playing at the Paramount through March 18.
Tickets are hard to come by, and prices range from $250 to more than $1,000. But on Thursday afternoon, the students from 39 Washington schools attended the matinee performance for $10 — the bill with Hamilton’s face on it.
The students, all from schools with a high number or percentage of low-income families, also performed their own work on the Paramount stage inspired by their Hamilton studies and asked cast members question about their experience.
Altogether, more than 5,700 students will see “Hamilton” in Seattle as part of an education program launched in 2016 that brings in youth who might not otherwise get to see the musical. To attend, each participant was required to spend time in their classes studying a curriculum created about the Hamilton era.
At Tukwila’s Foster High School, U.S. history-class students spent months learning from the curriculum. Junior Kerry Clark wrote and performed a rap about Richard Allen, a religious leader, educator and writer who was born into slavery in 1760. He hadn’t learned about Allen in history classes, he said.
Other students’ work included a song about the Constitutional Convention, a skit about the separation of church and state, and a rap about the Boston Massacre. Cleveland STEM High School students Saiyana Suzumura and Kahlia Devenaro performed “Perspective,” a spoken word poem written from a slave’s point of view.
The best part of the experience, Suzumura said, was seeing people of color play white characters.
“In the media, black people aren’t even seen, so to see it (black actors play white characters), that’s amazing,” she said.
During a question-and-answer session with 10 “Hamilton” cast members, a Chief Kitsap Academy student asked about the significance of playing characters who were wealthy white men.
The play changes minds about who can be in power, cast members agreed. It also shows how America was then, but played by the America of today.
Most Read Local Stories
- ER doctor who criticized Bellingham hospital's coronavirus protections has been fired
- Coronavirus daily news updates, March 28: What to know today about COVID-19 in the Seattle area, Washington state and the nation
- Inslee welcomes Army doctors to coronavirus field hospital in Seattle, says Trump remarks 'haven't knocked us off our game' VIEW
- Washington Gov. Jay Inslee adjusts ban on funerals, issues more coronavirus guidance to real estate agents
- UW model says social distancing is starting to work — but still projects 1,400 coronavirus deaths in the state
“We were supposed to be the melting pot,” said Elijah Malcomb, who plays John Laurens and Philip Hamilton. “And back then, there were so many restrictions of what people of color could do.”
Kyle Scatliffe, who plays Marquis de Lafayette and Thomas Jefferson, reminded audience members that Hamilton was only a few years older than they are during most of the events in the musical.
“Don’t ever listen to anybody who tells you teenagers don’t know anything,” he said.
Scatliffe and other cast members encouraged the students to react as loud as they wanted during the matinee; he received a loud cheer when he emerged later on the stage as Marquis de Lafayette.
Cast members look forward to the “EduHam” — the nickname for the program — performances, said ensemble member Tyler McKenzie, especially because of those reactions. A significant difference is how the audience reacts when Maria Reynolds, Hamilton’s mistress, is introduced. The students gasped and exclaimed, “Noooo.”
“That’s what adults feel, but they don’t feel it’s appropriate,” McKenzie said. “As adults, our fear levels are high, but for the students, all their emotions are blurted out.”
Those emotions continued after the bows. One teenage girl told her friends that she had cried multiple times. Another said she wanted to read more about the Schuyler sisters.
“This is inspirational,” said Clark, the Foster student. “It makes me feel like I can soar higher.”