IN THE HOTHOUSE of our civic life, voices and temperatures keep rising. Resonating for many today is President Ronald Reagan’s famous sentiment: “The nine most terrifying words in the English language are: ‘I’m from the government, and I’m here to help.’ ”

However, the gardener watering orchids in our 1938 “Then” photo might have begged to differ.

That decade’s Great Depression, devastating the nation with a 25% unemployment rate, provided fertile ground for the landslide 1932 election victory of visionary new president Franklin D. Roosevelt. His New Deal programs sparked a revolution, providing millions of federally subsidized jobs for desperate Americans through the Works Project Administration (WPA), the Civilian Conservation Corps (CCC) and other agencies.

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“For Roosevelt,” says New Deal historian Brent McKee, “work relief was preferable to cash relief. He believed that, given the opportunity, most people would choose to work.”

As a result, the Pacific Northwest blossomed with sizable infrastructure projects, from trails, roads and highways to dozens of schools, libraries, post offices and other public buildings. By itself, an acknowledged granddaddy of New Deal projects, the Grand Coulee Dam in Eastern Washington, ensured many thousands of construction jobs between 1933 and 1942.

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But smaller efforts also eased joblessness. Innovative projects offered work to historians, artists and musicians, acknowledging their vital cultural contributions. And in 1938, with WPA sponsorship and a nod to the beauty and solace nurtured by nature, 10 unemployed women were hired by the Volunteer Park Conservatory on Capitol Hill as assistants to head gardener Jacob Umlauff.

“Among their jobs is the task of helping care for [10,000] orchids,” The Seattle Post-Intelligencer noted. The women were “light of touch and long of patience … very handy around such delicate plants.”

After four seasons of intensive training, the program offered each worker “a certificate as a Gardener, with a specialty in orchid culture.” Such a vocation could not have taken root in more fertile grounds.

Modeled after the 1851 Great Exhibition’s Crystal Palace in London, the Conservatory was a jewel in the crown provided by the Olmsted Brothers-designed Volunteer Park. The Seattle Times acclaimed the $50,000 glass-paned structure as “a thing of joy and beauty” and the finest greenhouse west of Chicago.

Still operated by Seattle Parks, the Conservatory has been closed since last April due to the pandemic. But workers keep up its vast orchid collection, donated in 1921 by philanthropist Anna Clise, also founder of Children’s Orthopedic Hospital. It remains one of the nation’s finest.

Thus, while our national debate rages on, inside the steamy glass of the tropical Conservatory, hope continues to flower.