IS ANYTHING SO timeless and appealing as a parade? From musical to commercial, from patriotic to protesting (which in turn is patriotic), a parade engages countless participants and onlookers, encompassing every age, setting, group and cause.

Parades happen so often that movie characters on the run momentarily evade capture by joining one. In 1984, I saw a local political candidate become so entranced by a parade’s effect that after one cruise along the route, he circled back to the end of the line and motored through again.

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There’s just something innate that draws us together in person, what I’ve learned to label the Original Social Media: Face to Face. Especially in a neighborhood or small town, a parade embodies this, weaving a powerful spell. Seemingly everyone sees everyone, breathes the same air and exchanges smiles and waves.

And this summer, after a two-year pandemic hiatus, parades are back all over the area. One of the earliest proceeded June 11 in Fall City, the unincorporated burg 25 miles east of Seattle. The route, on Redmond-Fall City Road paralleling the Snoqualmie River, has served the tiny town’s annual processions since the post-World War II early 1950s.

Greater gatherings surrounded the parades, of course. Initially, the event was called the Strawberry Festival before morphing into Fall City Derby Day, saluting a Cub Scouts soapbox race and showcasing Derby Darlings atop a float. (One year, in 1968, the parade gave way to a River Drift, in which a 35-gallon metal barrel was dropped into the Snoqualmie, and citizens guessed how long it would take for the barrel to float 3.2 miles to a finish line.)

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A new name emerged in 1971: Fall City Days and Logging Show. This year’s post-virus rebound was simply Fall City Day, celebrating 150 years since establishment of the hamlet’s first post office. Accouterments included the traditional dunk tank and watermelon-eating contest.

One sign of community continuity along the parade route is a building at 337th Place Southeast whose legacy stretches to the late 1880s, when it began life as a hotel and restaurant. Over the decades, its name, functions and roofline have changed, but it has stood as a parade touchpoint, next to the reviewing stand.

The Fall City Historical Society’s history books have tracked those incarnations faithfully, thanks in no small part to the group’s longtime director, the vigilant Ruth Pickering, this year’s parade Grand Marshal. “Rural towns are an important thing,” she maintains. “They’re kind of an endangered species.”

Unlike, thank goodness, their parades!