Daphney Kalotay's debut novel, "Russian Winter," is a multiple-strand story of a former Bolshoi Ballet star who defected to America and now, in old age, looks back on the loves, lives and tragedies that intersected with her life story.
by Daphne Kalotay
Harper, 466 pp., $25.99
“Russian Winter,” Daphne Kalotay’s first novel, is a magnificent tale of love, loss, betrayal and redemption. Shifting between Moscow and Boston and alternating the past with the present, the story centers on Nina Revskaya, a star of the Bolshoi Ballet, known as “the Butterfly.” Her fame peaks during the dark days of the Cold War when all Russians were aware that “anyone could turn in anyone else, for any thing. Small things. … Speaking the wrong thing, telling the wrong joke. … It was impossible not to know someone who was arrested.” In 1952, despite warnings that “they find you and break your legs,” Nina defects and goes on to have a celebrated international career.
Most Read Entertainment Stories
- Soundgarden and Dave Matthews Band nominated for Rock & Roll Hall of Fame
- Look out, Netflix: 4 new streaming services will be launching soon
- South Korean pop star Sulli found dead at her home
- 'The Fabulous Baker Boys,' now 30, elegantly captured a bygone Seattle, even as we've moved on
- Lit Crawl Seattle 2019: Welcome to the roving literary party taking over Capitol Hill later this month
Now old and infirm, she lives in Boston’s Back Bay and has decided to sell her treasured jewelry collection, including some particularly valuable amber pieces. Drew Brooks, the associate director of fine jewelry from the auction house, visits to compose a list of the gems and begins to ask Nina questions that open a Pandora’s box of memories and mysteries.
Characters appear like an endless stacking nest of Matryoshka dolls, one more fascinating and intriguing than the next. Among the cast are Nina’s husband, the celebrated poet Viktor Elsin; Viktor’s insidious mother and her French-speaking bird; the professor and translator Grigori Solodin, who wishes “he knew the truth. (It was) impossible ever to be fully himself until he knew his own history. “
Kalotay describes her players with clarity, empathy and understanding: And while there is fascinating information and insight about ballet, jewels, music, art and politics, the emotional center of the book holds everything together. Toward the end, with many unanswered questions swirling, the author lets the truth ebb and flow until a final riptide of revelations leaves the reader profoundly moved.