Northwest Wanderings: Photographer Daniel Carrillo uses an antique Deardorff camera to take pictures around Seattle.
16th in an occasional series
Daniel Carrillo’s view of the world would bring vertigo to most — he likes seeing it upside down. It “makes you slow down, and it helps organize, helps compose.”
Using thoroughly modern eBay, he bought an antique camera, an 8-by-10 Deardorff built beautifully of mahogany and brass.
It’s cumbersome, used only on a tripod, and was first introduced almost 90 years ago. He attaches a century-old lens in front.
- Win over USC puts UW’s coaching upgrade (Chris Petersen over Steve Sarkisian) on full display
- Lloyd McClendon will not return as Mariners' manager
- Expect traffic delays when Obama visits Seattle Friday afternoon
- Huskies upset USC 17-12 and beat Steve Sarkisian, their former coach
- Obama visits Seattle for fundraisers; traffic not as bad as expected
Most Read Stories
The optics of this camera invert everything.
Taking steps further back in time, Carillo uses wet-plate collodion technology, a process developed in 1851.
That means making a piece of glass light-sensitive with the viscous liquid collodion and toxic chemicals, exposing it and immediately developing it. It’s what William Henry Jackson used when he brought back the first photographs of what became Yellowstone National Park.
Carrillo forgoes the ox-drawn wagon or camera-carrying mules that Jackson used.
He seeks out downtown construction sites, city scenes and especially portraits, “trudging along looking for the next photograph.”
He makes one-second exposures in full sunlight, 10 times slower than a digital point-and-shoot.
They’re rough around the edges, with a very shallow focus of an inch or less.
“The process itself lends itself to a lot of flaws.”
Yet, Carrillo’s plates are “one of a kind” positives.
“They’re a tightrope walk between image and artifact with plenty of imperfections. They’re never perfect, and it’s kind of liberating.”
Alan Berner: email@example.com or 206-464-8133