An unlikely pilgrimage is under way to Dwayne's Photo, a small family business that has through luck and persistence become the last processor in the world of Kodachrome, the first successful and still the most beloved color film.
PARSONS, Kan. — An unlikely pilgrimage is under way to Dwayne’s Photo, a small family business that has through luck and persistence become the last processor in the world of Kodachrome, the first successful and still the most beloved color film.
That celebrated 75-year run from mainstream to niche photography is scheduled to come to an end Thursday when the last processing machine is shut down here to be sold for scrap.
In the last weeks, dozens of visitors and thousands of overnight packages have transformed this small prairie-bound city not far from the Oklahoma border for a brief time into a center of nostalgia for the days when photographs appeared not in the sterile frame of a computer screen or in a pack of flimsy prints from the local drugstore but in the warm glow of a projector pulling an image from a carousel of vivid slides.
In the span of minutes this week, two such visitors arrived. The first was a railroad worker who had driven from Arkansas to pick up 1,580 rolls of film that he had just paid $15,798 to develop. The second was an artist who had driven directly here after flying from London to Wichita, Kan., on her first trip to the United States to turn in three rolls of film and shoot five more before the processing deadline.
- Anonymous donor pays off landslide victim's $360K mortgage
- Could Chris Polk be a fit for the Seahawks?
- Fire destroys Bellevue auto showroom, dozens of cars
- Seattle-to-suburb commuters prefer urban lifestyle
- A Midcentury modern home for the history books
Most Read Stories
The artist, Aliceson Carter, 42, was incredulous as she watched the railroad worker, Jim DeNike, 53, loading a dozen boxes that contained nearly 50,000 slides into his old maroon Pontiac. He explained that every picture inside was of railroad trains and that he had borrowed money from his father’s retirement account to pay for developing them.
“That’s crazy to me,” Carter said.
Then she snapped a picture of DeNike on one of her last rolls.
Created in 1935, Kodachrome was an instant hit as the first film to effectively render color.
“Makes you think all the world’s a sunny day,” Paul Simon sang in his 1973 hit “Kodachrome,” which carried the plea “Mama, don’t take my Kodachrome away.”
Even when it stopped being the default film for chronicling everyday life — thanks in part to the move to prints from slides — it continued to be the film of choice for many hobbyists and medical professionals.
As media around the world have heralded Thursday’s end of an era, rolls of the discontinued film that had been hoarded in freezers and tucked away in closets, sometimes for decades, have flooded Dwayne’s Photo, arriving from six continents.
Among the recent visitors was Steve McCurry, a photographer whose work has appeared for decades in National Geographic, including his well-known cover portrait, shot in Kodachrome, of an Afghan girl that highlights what he describes as the “sublime quality” of the film. When Kodak stopped producing the film last year, the company gave him the last roll.
At the peak, about 25 labs worldwide processed Kodachrome, but the last Kodak-run facility in the United States closed several years ago, then the one in Japan and then the one in Switzerland. Since then, all that was left has been Dwayne’s Photo. Last year, Kodak stopped producing the chemicals needed to develop the film, providing the business with enough to continue processing through the end of 2010. And last week, right on schedule, the lab opened up the last canister of blue dye.
Dwayne Steinle remembers being warned more than once by a Kodak representative after he opened the business more than a half-century ago that the area was too sparsely populated for the studio to succeed. It has survived in part because Steinle and his son Grant focused on lower-volume specialties — like black-and-white and print-to-print developing, and, in the early ’90s, the processing of Kodachrome.
Still, the toll of the widespread switch to digital photography has been painful for Dwayne’s, much as it has for Kodak. In the past decade, the number of Dwayne’s employees has been cut to about 60 from 200 and digital sales now account for nearly half of revenue. Most of the staff and even the owners acknowledge that they primarily use digital cameras.
This week, the employees at Dwayne’s worked at a frenetic pace, keeping a processing machine that has typically operated just a few hours a day working around the clock (one of the many notes on the lab wall reads: “I took this to a drugstore and they didn’t even know what it was”).
One of the toughest decisions was how to deal with the dozens of requests from amateurs and professionals alike to provide the last roll to be processed.
In the end, it was determined that a roll belonging to Dwayne Steinle, the owner, would be last. And over the course of the week he fired off shots of his house, family and downtown Parsons.
The last frame is already planned for Thursday, a picture of all the employees standing in front of Dwayne’s wearing shirts with the epitaph: “The best slide and movie film in history is now officially retired. Kodachrome: 1935-2010.”