The considerable charms of Jason Bateman and Olivia Wilde get a considered workout in the lightly charming New York romance “The Longest Week.”
It’s a droll comedy, with a droll narration (by Larry Pine), set among the idle affluent of Manhattan.
Bateman stars as Conrad Valmont, a 40ish man-child lost in “the distractions of wealth.” He lives in the family hotel, rides with the family chauffeur and spends his huge family allowance.
Then his globe-trotting parents decide to divorce and neither of them wants to support him. He’s evicted, penniless, with only a pricey haircut, tailored clothes and a motor scooter to his name.
- 2 killed, half-million lose power in Seattle-area windstorm
- High winds stall firefighting efforts, fuel Tunk Block, Lime Belt fires
- Jack Zduriencik’s M’s legacy: More than 3 dozen departed managers, coaches, scouts, staffers
- Wet weekend ahead, with high winds and heavy rain expected
- Suspect in attack on tourists arrested in downtown Seattle
Most Read Stories
His shrink (Tony Roberts) is worried. Conrad is shallow, obsessed with physical beauty and dead set against the idea of working for a living. How will he survive?
Conrad’s “Longest Week” begins with a first-time-in-decades ride on the subway, which takes him to his artist-friend Dylan (Billy Crudup). The lovelorn Dylan will put him on the sofa for a few days. He nags and nags Conrad to not make a play for his potential new girlfriend, Beatrice (Olivia Wilde).
Who could resist Beatrice, a child of wealth, a model, a Bach fan who fancies hers as a life of virtue. She’s a vegetarian.
Over the course of Conrad’s week, he endures an attempted setup with a pretentious grad student (Jenny Slate). He tries to reach his parents, falls in love and hides his impending poverty with style.
Writer-director Peter Glanz doesn’t hammer his jokes, relying on the cast to wring charm out of characters and situations. But there just aren’t enough moments that pay dividends.