Experimental animation usually comes in small packages. But that’s not the case with Chris Sullivan’s 15-years-in-the making “Consuming Spirits,” an ambitious animated epic that runs well over two hours and sometimes feels more like a feat than a film.
Nevertheless, it’s a kind of milestone in its genre. Sullivan uses a variety of 16mm animation techniques, focusing on cutout figures that are manipulated in a way that suggests three-dimensional photography without the glasses.
It turns out to be an inspired approach. Sullivan’s rambling, folkish story about Appalachian men and a backwoods DUI has a “Rashomon”-like quality. When the script emphasizes spectacle or it develops a lyrical edge or it threatens to turn into a ghost story, Sullivan smoothly shifts gears.
The swift pace keeps the film from slipping into a lull, though it sometimes feels like it’s turning into a case of “too much information,” especially where deliberately sensational (and often dryly funny) newspaper headlines are concerned. (The local newspaper, The Daily Suggester, relays much of the narrative in exaggerated fashion.)
- Costco will buy most farmed salmon from Norway, not Chile
- Italian court throws out Knox conviction once and for all
- Let's cut traffic by road rationing, Italian style
- Hey, drivers, good luck penetrating the new Seattle
- Police kill student in German uniform
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The emphasis on puns, obscure references and lightly twisted language suggests Firesign Theatre in its heyday. The story is mostly narrated by a plummy-sounding Earl Gray (the inimitable voice is by Robert Levy), but there are other voices and other moods.
Indeed, the movie is at its most engaging when Sullivan is flooding the soundtrack with “Danny Boy” or “Shenandoah” or evoking “Our Town” to establish a sense of instant nostalgia.
John Hartl: firstname.lastname@example.org